Showing posts with label head banging. Show all posts
Showing posts with label head banging. Show all posts

Monday, February 22, 2010

Metal in Marketing

Your periodic reminder about just how metal Finns really are: recently, I was reviewing a product brief for my day job from a Finnish company that has absolutely nothing to do with metal. On certain pages, when they didn't have a diagram that fit the context, the company would include stock photos - presumably to reinforce the company's image as hip and energetic. One of these photos - the one to the left - definitely looks like a woman head banging. And that's not just energetic: that's frickin' awesome.

Wednesday, February 11, 2009

Headbang Hero will be my death!

Watch the below video for Headbang Hero. Yes it is a rhythm game for headbanging. Eric and I have both had our headbanging misadventures, and I am still trying to find the perfect remedy for the three days of intense pain I get after gigs which is now affectionately referred to as the "bang over."

Of course I can kvetch all I want but the fact remains, I would OWN this fucking game. I can do the up and down, the Dethklok twirl, and the crazy bald drunk guy attack bang with the greatest of ease.

I just hope this game won't give me the dreaded headbanging induced ONSTAGE STROKE


Tuesday, October 14, 2008

Children of Bodom at the Hammerstein Ballroom

I'm starting to wonder if I should impose two year gaps between Bodom viewings...or that the theory I've heard about the band's inability to really rock a headlining spot has a ring of truth to it. Either way, I left this show feeling less pumped up than I had when Bodom played Gigantour earlier this year.

I suspect the problem might have been my own head space more than anything else: Bodom was the last night in a long string of late nights with no sleep, I had been rocked by GWAR while drinking heavily the night before, and frankly I couldn't bang my head with my usual alacrity as a result. I had also developed a morbid fear of accidentally smashing my head into someone's shoulder, which almost happened the night before. For me, the live experience is all about feeding off the energy and submitting to barely-controlled animalistic instincts for a little while; when I can't do that, or can't do it without letting go of the stream of conciousness of my ego, I don't enjoy myself as much.

So that was the bad. The good was in little things:
  1. The show was twice as long as I had expected in a good way: having not done any prep work, I missed the inclusion of both The Black Dahlia Murder and Between the Buried and Me.
  2. I hadn't heard Between the Buried and Me before that night and their performance proved to be an excellent introduction to their work. I didn't think "progressive deathcore" was possible as a genre, but clearly I'm not giving the deathcore guys enough credit. The recorded material I've heard so far seems pretty consistent with what I was hearing through my surprised shock, so Between the Buried and Me may have garnered themselves another fan.
  3. I spent the last two sets up in front, hoping to tap into a bit more of the life coming from the stage (makes me sound like a vampire, doesn't it?). At some point during Testament's set, the three small pits in the very front opened up into one long pit that ran like a wound parallel to the stage for about 40 feet. At one point, a guy who had to be a bit under six feet and well over 200 pounds decided it would be an excellent idea to run the length of the pit and plow into an unsuspecting group of concertgoers clustered at the end. Unfortunately for them, he made it. I'm surprised they didn't knife him afterwards for being such a douche.

Saturday, January 13, 2007

Head Banging: An Exploration

Are you familiar with the term "bangover"? I wasn't either, until Municipal Waste frontman Tony Foresta used it during an intro at Irving Plaza a few weeks ago. The Urban Dictionary has a nice definition, with the wonderful side-effect that depending on the audience, it sounds like I had rough sex last night instead of overindulging in the wonderful world of bang yer head.

In the midst of extreme physical activity, like head banging way too much during Pinebox's set up in Yonkers, NY last night, my mind ends up wandering a little bit. Is it because the conscious mind releases so much control to keep the body moving in time with whatever it's doing that the subconscious takes full control? Is it because my levels of ADD are so high that I need to multitask whatever I'm doing, even if it's not effective? Maybe I'm trying to stave off an embolism (aka "bleeding on the brain") by making sure I can still think straight? Who knows.

In any case, when I wasn't staggering around trying to regain/keep my balance, I got to thinking about head banging and why people do it. I'm not a sociologist by any stretch of the imagination, so I'll just put up my own thoughts on the matter and we'll have to be content without any science to back them up. I have two theories:
  1. It looks cool, especially in photos that you see when you're young and impressionable. For me, that was in the mid-1990s, when I saw things like the cover of "Bleach" and the Black Album tour video, which features stills and video of people head banging. Then there was Wayne's World and the "Bohemian Rhapsody" sequence - four metalheads in a car completely rocking out to Queen.

    Speaking of that scene, for some reason, the fashion among the kids with the larger bar mitzvahs was to have not only DJ-ed after parties, but lip sync contests at those parties. Thanks to the time limits on the songs, my friends Jeff, Alan and I chose to enter one of those lip sync contests by playing "Bohemian Rhapsody" right from that "head banging" bridge to the end and won because nothing slays a crowd like a group of thirteen-year-olds doing their best whip imitations with their skulls.

    With a background like that, there was no way I wasn't growing my hair so I could whip it around whenever possible.

  2. The music itself demands you do something ridiculous with your body. Like those old movies about rock and roll where the repressed parents would feel like they were possessed because the back beat in the music made them want to dance, a good metal beat makes you want to move something, hit something, do something in time to the music. Pinebox was the first set last night and I blew my neck's load watching them play. For the rest of the night, there was no head banging, but the rhythm to move was so intense that I had to do something - so I ended up bruising my hand a bit by pounding it against a pillar.
So, let's sum up. Desire to head bang: ingrained enjoyment stemming from exposure during an impressionable youth, combined with frequent exposure to extreme music whose rhythm demands extreme responses from the body. And there you have it.